“The Evil Dead” and “A Simple Plan”) have tapped into a pure darkness underlying the seductive promise of infinite possibility, while others (take a wild guess) have displayed a deep conviction that power demands responsibility.
“Doctor Strange in the Multiverse of Madness”īut the fact remains that Raimi is a natural-born scrapper who’s always thrived on limitations.
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In many of the multiplexes where it opens this weekend, it won’t even be the best or most audacious multiverse movie that includes a scene of a beloved actor being squirted with mustard in an alternate dimension where everyone walks differently.
That’s why it felt like much ado about nothing when it was announced that Sam Raimi - whose ability to re-thread Silver Age spandex with a personal touch made his “Spider-Man” trilogy the ultimate proof-of-concept for the MCU’s product, as well as a prototype that it has still yet to match - had been hired to direct the first proper sequel to “Doctor Strange.” He’s arguably the most idiosyncratic stylist who’s ever made a Marvel movie without leaving over creative differences, but even the world’s giddiest tinkerer can only do so much when they’re stuck working an assembly line.Īnd truth be told, it would be seriously overstating the case to suggest that “ Doctor Strange in the Multiverse of Madness” breaks the rules. The 30 Best Plot Twists of the 21st Century, RankedĮmmy Predictions: Outstanding Supporting Actor in a Comedy Series
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